It was that old practice sentence of typists
It was that old practice sentence of typists, which is as old as are
typewriting machines, and Joe Harned, seated before the told-style,
noisy, but still capable machine in Philip Burtons telegraph office,
had rattled it off twenty-five times and was on his twenty-sixth Wlbq 1570 Khz Morgantown when
suddenly, very suddenly, his mind began to work.
Or rather it might be said that an idea, the _big idea_, danced
unceremoniously into his brain, and, beginning to take definite and
concrete form, chased a score of other smaller ideas through all the
thought-channels of his handsome, boyish, well-rounded head.
He came to a full stop and gazed steadily at the upturned paper in the
typewriter in front of him. Twenty-fives times he had written that
sentence, and twenty-five times with mechanical precision and true
adherence to time-honored custom he had finished it by tapping off the
word “party.”
It was a formula of words which some genius had devised for the
fingering practice it gave one on the keyboard, and Joe Harned had
written it hundreds of times before, just as thousands of others had
done, without giving a thought to its meaning, or the significance that
the substitution of a single word would give it.
He read it again, and as if it were the result of an uncontrollable
impulse, his fingers began the rapid tap-tap-tap. And this time he
substituted the new word that the _big idea_ had suddenly thrust into
his mind.
Joe gave the roller a twirl, the paper rolled out, dropped to the floor,
and he grasped for it eagerly.
Even Joe was surprised. He hadnt realized that in his enthusiastic
haste he had pushed down the key marked “caps.”
In bold, outstanding letters near the bottom of the sheet was an
historic sentence, and Joe Harned–Harned, of Brighton Academy–had
devised it.
“NOW IS THE TIME FOR ALL GOOD MEN TO COME TO THE AID OF THEIR COUNTRY!”
Joe gazed at it again for a moment, and then let his eyes travel across
the little office to where red-headed, freckle-faced, big-hearted and
impetuous Jerry Macklin was rapping away at another typewriter, and, two
feet away from Jerry, “Slim” Goodwin, “one-hundred-and-seventy pounds in
his stockinged feet, and five-feet-four in his gym suit,” was working
the telegraph key with a pudgy hand.
“Jerry!” he called. “Oh, Slim! Come over here a moment, both of you. I
want to show you something.”
Jerry immediately ceased typewriting, but Slim was reluctant to release
the telegraph key. However, as Joe began folding the paper in such a way
that only the last sentence showed, their aroused curiosity brought both
of them to his side.
“Read that,” said Joe, trying to suppress the quiver in his voice, and
holding the paper up before them. “Read it carefully.”